Movie Review: Muschietti’s ‘It’ Doesn’t Clown Around
The latest R-rated release floating up to box office records is “It,” the horror film closely based on Stephen King’s behemoth novel of the same name first published in 1986.
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The latest R-rated release floating up to box office records is “It,” the horror film closely based on Stephen King’s behemoth novel of the same name first published in 1986.
With the presidential election drawing near, “Southside With You” manages to escape the sea of Hillary Clinton and Donald Trump yard signs in order to say, “Hey, remember how likable our current president is?”
Disney took a break from its recent tirade of snowmen and inflatable robots to bring us something more familiar: animated, anthropomorphic animals.
The Coen brothers’ newest feature “Hail, Caesar!” opened in theaters last weekend, and if box office numbers are any indication, audiences gave it a big “Hail, no!” With the lowest turnout ever of the siblings’ career, the comedy only raked in about $11.4 million in spite of its recent critical acclaim. Perhaps it’s because many of the advertisements didn’t map out a clear plot. Spoiler: There is no clear plot.
Rooster Teeth, an Austin-based production company known for its online content, released its first-ever feature-length film, “Lazer Team,” in theatres Wednesday. Crowd-funded through Indiegogo, the comedy features a misfit team that must put aside its differences to save the planet from an alien threat. Tickets for nearby showings can be bought at lazerteamthemovie.com. The movie will also debut on YouTube Red in early February.
Johnny Depp finally shed the pirate get-up and crawled out of Tim Burton’s tight grasp to portray real-life mob boss James "Whitey" Bulger in last weekend’s "Black Mass." While the film was able to resurrect Depp’s acting credentials, it was incapable of reviving itself after a jumbled beginning.
The newest installment of the “National Lampoon’s Vacation” series was released last week, only to be met with overly harsh criticism. Though it’s necessary to swallow any preconceived ideas of high comedy prior to seeing “Vacation,” the film is not bad — idiotic, yes, but certainly not the terrible movie it’s been made out to be.
Last weekend’s release of the comedy film “Trainwreck” solidified Amy Schumer as this year’s breakthrough comedian. Although not everyone can digest Schumer’s typical stand-up routines, most audiences will laud her writing and performance in her big-screen debut.
Director Paul Feig, who brought us the notable favorite “Bridesmaids,” released his new Melissa McCarthy collaboration “Spy” on June 5.
The premise of the entire Jurassic Park franchise and its new record-setting addition “Jurassic World” can be summed up in a brief statement uttered by one of the film’s minor characters: “These people, they never learn.”
With a pressure-inducing work period of only eight weeks, Raf Simons, creative director for the French fashion house Dior, must create his first collection amid various constraints in Frederic Tcheng’s new documentary, “Dior and I.”
Amid news earlier this year of DreamWorks Animation having to cut about 500 employees due to low box office turnouts, the studio premiered its new animated feature “Home” on Friday in hopes of crawling out of its financial hole.
When it comes time to announce the winner for Best Documentary Short Subject at the 87th Academy Awards, many will probably be busy scrolling through endless live tweets as they await the more prestigious categories. Nevertheless, this year’s shorts deserve notice. Here’s the rundown on the nominated documentary short films.