Our history and how you can get involved
The Alligator was founded in 1906 as The University News, which was an independent, student-owned newspaper created to serve the University of Florida. In 1912, the newspaper became a part of the University of Florida administration, and was renamed the Florida Alligator.
The Faculty Committee on Student Publications first governed the newspaper on campus. In the early 1930's that committee was replaced by a committee composed of students and faculty, the Board of Student Publications. The Board established policy for the Office of Student Publications, which was responsible to the UF president for operations of the Alligator, the Seminole (the yearbook), Florida Magazine, and F Book (an orientation manual). Through the years the Office of Student Publications published several other publications from time to time. Those included humor (Orange Peel; The New Orange Peel), literary (Florida Quarterly), and general-interest magazines (Release, et al).
For many years, the career-staff of the Office of Student Publications consisted of a full-time secretary to run the office and a part-time executive secretary to the Board, who was the publication’s chief administrator. Until 1962, the executive secretary was a faculty member of the Department of Journalism. Three of the distinguished faculty who served in that position were Dr. John Paul Jones Jr., Prof. H. G. (Buddy) Davis and Prof. Hugh Cunningham. That year the paper hired the first full-time executive secretary.
The following are those who have served as full-time Executive Secretary/ General Manager of the Florida Alligator and The Independent Florida Alligator
- K. B. Meurlott 1962 - 64 Executive Secretary
- Bill Epperheimer 1964 - 65 Executive Secretary
- Gary Burke 1965 - 66 Executive Secretary
- King White 1966 - 68 Executive Secretary; Director of the Office of Student Publications
- John Detweiler** 1968 - 69 Executive Secretary; Director of the Office of Student Publications
- Brent G. Myking 1969 - 72 Executive Secretary; Director of the Office of Student Publications; General Manager
- C. E. Barber 1972 - 73 Executive Secretary; Director of the Office of Student Publications; General Manager
- Tony Kendizior 1973 - 75 General Manager
- C. E. Barber 1976 - 2007 President; General Manager; 2008 – present President Emeritus
- Patricia Carey 2007 – 2018 General Manager
- Shaun O’Connor 2019 – present General Manager
For many years, the editor of the newspaper was elected in the campus wide elections. Editors, and some of the other staff members at various times, ran for the "office" of editor, etc. They slated to a particular party, ran advertisements and spoke before groups of students to seek votes.
Eventually, that method was changed so that the editor was selected by a special super committee comprised of the regular Board of Student Publications plus the chancellor of the Honor Court, the president of the student body and the president of Florida Blue Key. The selection committee was changed in the late sixties to membership of the Board of Student Publications alone. When the newspaper became independent from UF, the selection was by the Board of Directors as it is today.
The Alligator became a daily newspaper in 1963 and ceased being printed at the (then) Gainesville Daily Sun. While at the Sun, the Alligator was composed in that plant, using hot lead composition and letterpresses. The Alligator left the Sun to be printed out of town by the offset printing process. It was one of the first college newspapers in the nation to go to what was known as "cold type" and offset printing.
Each early morning of publication, the newspaper materials were driven south to Leesburg, Florida to be printed at the daily Leesburg Commercial, a round trip of more than 130 miles. Some years later, The Ocala Star-Banner won the printing bid and that shortened the trip to a round trip of about 75 miles early each morning.
When The Star-Banner dropped their commercial printing business, two former employees started Web Printers of Florida in Ocala. They were successful at winning the printing contract, and printed the newspaper until they were bought out by Carlson Color Graphics of Ocala. Years later, the newspaper was printed for a short time at Florida Crown Printing in Maxville, a few miles north of Lawty. It then returned to Carlson in Ocala. Within a year, the newspaper began printing at The Gainesville Sun, which by then had switched from letterpress to offset printing. It is still printed in their plant.
Through the many years of its existence, The Alligator has varied in its size and dimensions. The newspaper originally, and for many years, was standard (or broadsheet) size. During World War II, it published as a tabloid with fewer pages due to the paper shortages. After the war it returned to being full-sized until 1962 when it became a daily tabloid.
For many years, the Office of Student Publications was on campus, located in the basement of what was then the Florida Union. It is now the Manning Dauer Building. In 1968, the office was moved to a brand-new suite of offices on the third floor of the J. Wayne Reitz Union. It was across a lobby from the offices of Student Government.
In 1973, the newspaper became independent of the University of Florida and was given a grace period from February until August to move into quarters across University Avenue from the campus. In 1982 the Alligator moved into and then purchased an old fraternity house at 1105 West University Avenue where it resided for over 33 years. In 2016 the decision was made to sell the property and move into leased space in The Gainesville Sun Building where, in addition to the Sun staff, the New York Times had an editing center.
The history of The Alligator is its stories and its stands on issues. But it is also in the caliber of the people who were once students here, free to put into practice at the newspaper what they were learning in class at the University of Florida. In journalism alone, our alumni include multiple subsequent Pulitzer Prize winners.
Alligator alumni are at, or retired from, almost every daily newspaper in Florida, and many of the weeklies. They include David Lawrence Jr., former professor at Florida International University, former chairman of the Herald Publishing Company and former publisher of The Miami Herald; Edward Sears, former editor of The Palm Beach Post; Louis Perez, former editor of The (Lakeland) Ledger; William Dunn, former associate managing editor of The Orlando Sentinel, and many, many others.
In addition, Alligator alumni are at newspapers throughout the nation. They include Walker Lundy, former editor of the St. Paul Pioneer Press; Keith Moyer, publisher and editor of the Las Vegas Review-Journal; Karen DeYoung, Pulitzer Prize winning associate editor at The Washington Post; David Dahl, former deputy managing editor The Boston Globe; David Finkel, Pulitzer Prize winning writer at The Washington Post, Philip Graham, former publisher The Washington Post, plus those at the Los Angeles Times, Detroit Free Press, Atlanta Constitution and Journal and numerous others.
Then there are Mindi Kiernan, former vice president of Knight-Ridder; Tom Kennedy, former director of photography at National Geographic, and director of photography and design at Washington Post. Newsweek Interactive, now executive director of the American Society of Media Photographers; Nick Tatro, former AP foreign correspondent, Ian Johnson, Pulitzer Prize winning free-lance correspondent based in Beijing for New York Review of Books, The New York Times, New Yorker, National Geographic and New York Times Magazine; Chris Fontaine, associate editor of The Cambodia Daily; Dennis Kneale, former co-executive editor at Forbes Magazine.
There are John Paul Jones, dean emeritus of UF College of Journalism and Communications; H. G. Davis, Distinguished Services professor emeritus and Pulitzer Prize winner; Jean Chance, emeritus professor of UF College of Journalism and Communications, Clifford Marks, former vice president of ESPN president and interim CEO, National CineMedia, Inc., the late John Detweiler, chairman emeritus of the UF Department of Public Relations, Richard Shelton, former Executive Director of the Florida Press Association and David Klein, former associate publisher and editor of Advertising Age; current chief content officer at American Marketing Association.
Former Alligator advertising rep, Paul Gianneschi, founded Hatch Medical which assists physician inventors with new product concepts. Ad rep Stan Renbarger is the executive director for Restaurant Brands. Another rep, Cleave Frink, is the production manager / producer at This is Picture Filmworks, Inc. producing content ranging from feature films, to corporate documentaries, product launch videos, television shows, series content and other current popular forms of video production.
Tiffany Devereux is the founder and CEO of Jury-X, a litigation consulting company focused on delivering venire research and analysis to attorneys for medical malpractice, product liability, tobacco and First Amendment cases. Her specialties are social media research, media and archive research including newspaper, magazine, photographic, academic article, website and medical journal archives. She deems herself a serial entrepreneur.
The late Brian Chris Wilcox was vice president of partnerships at Pereira O'Dell Ad Agency. Chris Bower is regional vice president of Fullscreen and former senior director of media innovation at Wired Magazine. Lauren Hoyte Williams worked for several years in public relations at Busch Gardens and is now assistant vice president, public relations at LPL Financial, the nation's largest independent broker / dealer. She now has over 20 years of experience in communications, including media relations and corporate communications.
Former Alligator business office student employee Brandon Edwards is now a Manager CPA, at Newport Group. Adele Testani was former president and co-founder of HurryDate in 2001, a speed-dating service which is now a part of Spark Networks Limited. Jennifer Munro is local media manager at Agency 720. She married fellow Alligator alum Greg Munro who is group manager, marketing acquisition at CenturyLink.
In addition to those and many other journalists and professors, there are prominent attorneys, authors, educators, business leaders, judges and public servants throughout Florida and the nation who once served on The Alligator staff. Almost to a person, they praise the newspaper for the tremendous experience they received during their training.
In 1978, several Alligator alumni gathered to form the Alligator Alumni Association. The association began anew in 2016 and became much more active when the paper moved into its new location. Since then, hundreds of alumni have been located and have joined the association. The association's purpose is to stand behind and strengthen the purposes of the student newspaper.
"I look back on my Alligator days with the fondest of memories. Sure, I remember the hard work...sure I remember the tough times...but, most of all, I remember that The Alligator was a wonderful start on the best career there is - newspapering." David Lawrence, Jr.
How you can get involved
Whether you're an English or journalism major looking for clips, a Web designer looking for a site, an amateur commentator looking for an audience, or an advertising or marketing major looking for experience, The Alligator can help you get there. Here are some of the entry-level opportunities at The Alligator. Check our Contact Us page on our website for current email addresses.
Advertising Representative or Intern
If you're looking for real-world experience in selling advertising, developing relationships with customers, laying out ads, working on digital promotion, or social media management, consider applying for an advertising rep or internship position in the Alligator's advertising department. The advertising department is critical to The Alligator because the paper runs solely on ad revenue.
We ask that you make a two-semester commitment if you decide to apply for an internship in advertising. Working between 8 and 15 hours a week, reps and interns attend training sessions. Interns are paired with a sales representative to learn the basics of Alligator advertising for a semester. With this preparation, interns may go on to become paid sales representatives.
Email your interest to the Advertising Department: email@example.com.
Everyone has an opinion, but few people make good columnists. If you keep up with the news and have fresh insight into what's happening, then you should consider applying to be a columnist. They usually write on a theme and from a certain perspective. Successful columnists are fresh, fun and guaranteed to gain a wide readership.
To apply for a columnist position, contact the Opinions Editor at the beginning of the semester.
As a copy editor, you'll ensure the accuracy of stories. The responsibility that comes with copy editing is sure to help you in future endeavors whether they might be graduate school or an editing internship.
Copy editors work late, from 5 p.m. to about midnight on Sunday, and are paid by the shift. If you're interested in working as a copy editor, contact the Copy Editor Chief to take the copy editing test, which covers Associated Press style, spelling, grammar and fact checking skills. You do not need to be a journalism major, but knowing AP Style is a must.
Production staff includes graphic designers and layout designers. Graphic designers make the paper, creating advertising during the day and laying out the news at night. If you are considering a career in graphic design, you can gain experience at The Alligator. You should have a grasp of programs such as Adobe InDesign, Photoshop and Illustrator.
All graphic design positions are paid by the hour and may also get internship credit if they arrange it with their professors. Ad graphic designers, who work during the day, have flexible hours that are built around their schedules. News graphic designers, who lay out the content of the paper at night, work various shifts between 6 p.m. and 1 a.m.
Graphic designers are usually hired and trained at the end of a semester in preparation for the next. If you're interested in a production job, watch for posted openings.
Student photographers' level of involvement at the Alligator is largely up to them. By being available and reliable and consistently submitting feature photos, photographers can get the clips and experience they need to land a great job or internship.
Assemble a portfolio of your work or some feature photos and contact the Photo Editor. Also, you must be able to write good, accurate cutlines.
Whether you're looking to try your hand at reporting and writing or just looking for extra credit in your reporting class, the Alligator can help.
The Alligator has three kinds of writers. Most people start as a freelance writer, also called a stringer or contributing writer. They contribute stories from their own ideas or from assignments from the Editor-In-Chief. These writers are unpaid and have the smallest responsibility and time commitment. Once on staff, you might start as a general assignment writer, who works like a paid freelance writer on assignments from a news editor. These writers’ pay reflects how many stories they publish in a two-week period. Last, beat writers are the Alligator's best writers and are responsible for covering some aspect of the news, such as cops, Greek life, Student Government or city politics. These writers are expected to write three to five stories each week and keep up with the goings on of their beat. They get paid every two weeks.
If you're interested in writing, contact the Editor with some writing samples, a resume and possibly a cover letter. A good place to start is the Editor-In-Chief – email firstname.lastname@example.org.
Submitting a Story
1. To find stories the Alligator would be interested in, you'll need to get a sense of what's newsworthy for the Alligator's audience (UF students). Remember the factors of newsworthiness: timeliness, proximity, weirdness/rarity, future impact, prominence, conflict, scope, consequence and human interest.
2. First, set yourself a deadline that will work within the Alligator's deadlines. If you want to write a story about an event that's happening at 7 p.m., you must contact the freelance editor or another editor by 5 p.m. to ask him or her if the Alligator is interested in the story. Late story deadline is at 9 p.m., so you need to be able to write quickly if you are covering late events. For all other stories, you must send an electronic copy to the Alligator by 5 p.m. to give the editors time to look it over.
3. We write and edit with Google Docs, so any file type compatible with that will work fine, but we strongly recommend .doc or .docx.
4. For your byline, put your name in all caps. On a line underneath that, type "Alligator Contributing Writer." Then type your phone number, so editors can call you with questions. If you don't include your phone number either on your story or in the email you send with your story attached, your story will not go in the paper. We need your contact info.
5. Email your story to email@example.com. Include your name, what class you're in (Multimedia Writing or Reporting, or nothing if you're not in either), a little bit about the story, any time constraints it has and, of course, your phone number. Attach your story as a Word document or paste it into the body of the email.
6. Sunday at 2 p.m., the editors of the Alligator convene to discuss the next issue’s stories and photos and decide which stories are going on which pages and at what length. If your story is running in the next day's paper, you'll get a call about 3 p.m. asking you to read the story over with the editor. After a section editor reads the story, it goes to the copy desk. The copy editor assigned to your story will read through it and check all the facts he or she can, including name spelling, titles and names of places. You may get a call from a copy editor even after you've finished editing it with your section editor.