"How to Lose Friends and Alienate People" is a strikingly clever movie title; not only because of its length but also because it manages to be somewhat ironic. The funny and friendly movie certainly doesn't alienate the audience but draws them into a big, warm bear hug of romantic humor.
A fantastical view of the world's sleazier characters, "Choke" is a surreal softcore porn movie where the story is better - and more appealing - than the sex but just as graphic. Self-proclaimed sex addict and medical school dropout Victor Mancini (Sam Rockwell), cons people into loving him by pretending to choke at restaurants and having others save him. He then uses these people for money to keep his dying mother, Ida Mancini (Anjelica Huston), in "nice" hospital facilities. Content in this wayward lifestyle, he meets his mother's new doctor, Paige Marshall (Kelly Macdonald), who, with an almost angelic demeanor, manages to turn Mancini's life upside down by telling him he might be Jesus's half clone forged from the ancient holy foreskin. It's pretty mind-boggling.
Michael Cera and Kat Dennings keep it cute and awkward as two teens getting to know each other in "Nick and Norah's Infinite Playlist," a one-night, feel-good frolic through New York City. In between tickling and throwing things at each other, Cera and Dennings chatted in a national phone conference about their new movie, which opens Friday.
I'm going to bring my manhood into question here and say that "Ghost Town" is a cute movie. That's the only apt definition for something that's fun to watch and mildly romantic but doesn't offer the suspense, symbolism or surprise - unless you count the joyous physical proof that Cameron from "Ferris Bueller's Day Off" is still around as surprising - the general population uses to classify a movie as good. But it's a nice movie and worth going to see if you're in the mood for something light.
The Latina Women's League wants to share the diverse stories of Latin America with the Gainesville community. With six independent films, it has organized the Fourth Annual Gainesville Latino Film Festival, which will be different than the past three in that two of the film's directors will make presentations and hold bilingual readings for young children.
Tania Hermida is an independent filmmaker with a vision to show truth and important stories. Best known for her role as second assistant director for the Oscar-nominated independent film "Maria Full of Grace," her first feature film "Que tan lejos" (How much further), which will be shown at the upcoming Gainesville Latino Film Festival, was a product of her desire to create a "road film."
To try to stick "Burn After Reading" into a genre is absolutely impossible. One could call it a comedy, as IMDB.com does, but I think this label does the movie a disservice. Don't get me wrong, you will laugh your head off, but you will also question yourself for laughing at each character's rather depressing life. It's really not a drama, a romance or even a political satire. Rather, the movie transcends genre and focuses on plot, making the style both distinctive and amazingly entertaining.
"Bangkok Dangerous," a new thriller starring Nicolas Cage, manages to deliver some action along with a heavy dose of tired plot devices and distracting camera-work. Taking a cue from Michael Haneke, the Pang brothers decided to direct a remake of their own film in English. In the remake, Cage plays a hit man named Joe who only lives by four rules. The most important of these rules is to know when to get out. This theme plays at the heart of "Bangkok Dangerous."
"Why is it that a sophisticated animal like a chimpanzee does not utilize inferior creatures? He could straddle a goat and ride off into the sunset," asks "Encounters at the End of the World" director Werner Herzog, who also directed "Grizzly Man" and "Fitzcarraldo."
In this post-9/11 fantasy world, everyone is split into two sides: freedom fighters and terrorists, with no room for middle ground. Based largely on this premise, "Traitor" comes off as rather unbelievable, and at times almost ridiculous, as it channels Cold War-era nuclear fears brought about by propaganda.
While watching "Hamlet 2," you may be bombarded by a number of questions that seem important. "Who is Steve Coogan?" you might find yourself thinking. "How did a barrage of misfits in Tucson magically learn to act and sing?" and "Why is the funniest joke about Elizabeth Shue, an actress who has been a blip on the blockbuster radar since the late 1990s?" Though these questions may seem minor, they'll consistently make you question the validity and overall merit of the movie at large.
Just in time for our own election season, "Swing Vote" enters theaters and, like most politicians, tries hard to reflect the thoughts and feelings of the average American.
Don't expect awards for "X-Files: I Want to Believe." This extremely disappointing thriller lacks the sense of urgency and the satisfying, yet open-ended, conclusions that made the TV show a hit.
The new Batman movie will leave no one wondering, "Why so serious?"
A 44-year-old preschool teacher by day, Shawn Bauldree flirts with the dark side once the sun sets.
"Hellboy 2: The Golden Army" is flashy but hardly golden. Director Guillermo del Toro's latest feature is a visual marvel, but it succumbs to the same clichés that characterize the comic book genre.
Self-aware robots rebelling are the stuff of science fiction horror. However, Pixar succeeds at making that the subject of its latest family film, "WALL-E."
The tuxedos, guns and gadgets are back. "Get Smart," a big-screen adaptation of the 1960s show parodying the spy genre, indulges in every James Bond and Pink Panther stereotype to create an enjoyable spoof.
"The Incredible Hulk" is an incredible disappointment. I had such high hopes for this remake after Marvel Studios' success with "Iron Man" and the film's reported box office numbers. True, this version is better than the 2003 "Hulk" but this film is still not up to par with what you would expect from a superhero movie.
Don't mess with the Sandman. Adam Sandler has done it again with his combination of ridiculous characters, raunchy humor and crazy fight sequences that help make his new flick, "Don't Mess With the Zohan," gut-bustingly funny.
Solutions by The State News
