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Thursday, March 26, 2026

Opinion

Florida Alligator
Opinion

Gallow humor holds significant place in America's history

An employee is leisurely stocking shelves in the supermarket one day when a man with a gun busts in. The criminal shoots the stock boy and then flees the scene. Another employee rushes to the aid of our hero, eager to console him. The stock boy looks up at his friend and meekly says, 'cleanup in aisle 7.'


Florida Alligator
Opinion

Cash for Clunkers bill is a mistake

The United States Congress is making a critical mistake by introducing the so-called "cash for clunkers" bill, which seeks to restrict the sale of two major replacement parts: the engine and transmission.


Florida Alligator
Opinion

Pelosi’s cats steal speaker’s spotlight

Nancy Pelosi may be the Speaker of the House of Representatives and the most powerful woman in the history of American politics, but she is stunningly bad at being a public figure in the digital age. Thankfully, her genius cats communicate so well for her on YouTube.


Florida Alligator
Opinion

Darts & Laurels

After a brief hiatus highlighted by one not-so-esteemed staffer unsuccessfully teaching British men how to play beer pong in Orlando, we officially declare the Department of Darts & Laurels back and better than ever.


Florida Alligator
Opinion

Don’t save some of that for the sequel

I was a bit bored yesterday when I noticed that the Sci-Fi Channel was running the first two "Saw" films, back to back. Now, it's been some time since I've seen the "Saw" films, and so I watched them both. The first one was, as I remembered, a wonderful little horror movie with an intriguing perspective on things. The second one was, while moderately entertaining, nowhere near the quality of the first film. As I sat and pondered the sad state of "Saw," it occurred to me that there are still three more films after the second, with a sixth in production right now - each has been worse than the last and has been clearly motivated by a lust for profits. This bespeaks a serious problem implicit in the blending of art with profit.



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