As vinyls make a comeback, Gainesville locals notice the popularity
By Samantha Blend | Jan. 15, 2014Vinyl might be too mainstream.
Vinyl might be too mainstream.
Indie rockers came out in droves for Florida’s first Coastline Festival — featuring bands like Matt and Kim, Two Door Cinema Club and Passion Pit.
With an upcoming album, a full headlining tour with reggae group Ballyhoo! and a new record deal, it’s possible Passafire is having its most successful year yet.
Last week, Minneapolis-based band Motion City Soundtrack — whose songs you set to autoplay on your MySpace pages, whose lyrics you scrawled on your arms during that boring ninth-grade history class and whose very name stirs up memories of checkerboard Vans and middle school dances — played at High Dive with Relient K and Driver Friendly.
You never notice the way the crowd synchronizes at a concert when you’re in it: the flux and flow of the bodies like blood to the pulse of the music, the crowd surfers skimming over the mass.
Multiple stages, carnival rides and state-of-the-art production will be taking over Orlando’s Tinker Field Nov. 8 and 9. For the third year in a row, Electric Daisy Carnival is returning to Florida.
Fest, an annual punk music festival, has gotten so big that this year it officially started with a Pre-Fest in Ybor City on Tuesday.
Interview with bass guitarist Kevin Williams:
Interview with Matt from Matt & Kim:
As Passion Pit wraps up its 2013 touring stops, the Avenue spoke with keyboardist and guitar player Ian Hultquist before the band’s trip to South Florida as Coastline’s headline act.
Tom Odell is a 22-year-old up-and-coming singer-songwriter from Britain who fits the stereotype of the pained, sensitive, broken-hearted male whose emotions are so heavy they can only be processed alone, hunched over his instrument.
Guess who’s back, back again?
I sat down with up-and-coming, Brooklyn-based group Snowmine after its first show in Florida on Tuesday night in Tallahassee.
Alt-rock ensemble Panic! at the Disco hasn’t released an album for two years (since 2011’s “Vices & Virtues”) but its signature sound has yet to fade. “Too Weird To Live, Too Rare To Die!” is classic Panic! — melodic, slightly biting and bursting with energy. Front man Brendon Urie is as honest as ever with his lyrics, and the overall record (while maintaining a more pop-friendly edge) is on par with the band’s shiny, theatrics-ridden discography.
Following suit (and tie — I couldn’t resist) with this year’s earlier release, Justin Timberlake’s “The 20/20 Experience — 2 of 2” is just that — a split-sided LP that’s half dark, pulsating club beats and half smooth, sweet tracks. But words don’t really do the duality justice — only a thorough listen will truly give you the full “experience.”
When Stephanie Hardy first watched “The Fox,” she wasn’t expecting to see costumed adults dancing and making animal sounds in dark woods.
If Joni Mitchell had a synthesizer, she could easily be the fourth sister of HAIM.
The jolly banjo-strumming gentlemen who graced Florida with a festival in September are taking a break from music.
Andrew Baldizon didn’t catch M.I.A.’s middle-finger gesture during the Super Bowl halftime show in 2012, but he heard about it and didn’t think much of it.
Volunteer disc jockey Ricky Marrero perched on a bar stool in front of a microphone. Ice-cold air conditioning blasted into a closet-sized room packed with music equipment and vinyl records.