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Tuesday, February 17, 2026

The Avenue | Music

Florida Alligator
THE AVENUE  |  MUSIC

Local bands prepare to move on

Gainesville is the cradle of startup bands. As new bands pop up left and right, there inevitably comes a point, at which they must drift on. After the diplomas have been handed, the career pressures start to pile on, bands are left with three choices: stay put, break up or leave the nest.


Florida Alligator
THE AVENUE  |  MUSIC

Summer music festivals

If you do anything this summer, go to a music festival. The summer's music festivals are kicking off soon, and they are competing to have the biggest little bands, host the greenest event and to all in all be the one festival that will be worth your time and money. Who will win this winner-take-all fight? No one knows yet, but these shows are sure to be the most blogged and bragged about events of the summer.


Florida Alligator
THE AVENUE  |  MUSIC

The A–List: Concerts

Here's something to sing about: Your classes are winding down, the air is getting warmer and, to top it off, all of your favorite musical artists are coming to a town near you this summer. If you can break away from the beach (or your summer job, you overachiever), you won't want to miss these gigs.


Florida Alligator
THE AVENUE  |  MUSIC

Album review: U2 – “No Line On The Horizon”

Noisy, surging guitars; octopus-arm polyrhythms; Bono hollering on like a hopped-up Pentecostal preacher; spectacularly transparent declarations of purpose whooped in flailing whoa-oh frenzy. These are the first sounds of "No Line On the Horizon," U2's new album, and they combine to say what, with this band, goes without saying: This is a statement.


Florida Alligator
THE AVENUE  |  MUSIC

Album Review: Loney, Dear – “Dear John”

Emil Svanängen is moving on up, literally. Having recorded his first album on a laptop microphone and CD-Rs in his mother's cellar, the Swedish popsmith now makes a big enough name for himself to afford real studio equipment, a high-end computer, and presumably, his own home. In keeping with the little-guy theme, "Dear John" comes off like techno-fied Belle and Sebastian - Svanängen sings in breathless, hushed tones, as if trying to carry on a conversation in a library after running a marathon. Most of these songs flirt with electronic chamber pop, veering at alternate forks into "Phantom of the Opera"-esque theatrics ("Harm") and somber, Postal Service dance tunes ("Summers," which would fit snuggly on "Give Up"). If there's a turnoff, it's that a lot of these tracks are too prettily twee for their own good, like a good-looking guy who never makes the first move. And winds up living in his parents' basement.


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