ROBERT HILSON Avenue Writer

THE AVENUE | MUSIC

Album review: Raphael Saadiq – "The Way I See It"

By ROBERT HILSON Avenue Writer | Dec. 3, 2008

Temptations disciple Raphael Saadiq just beat out 007 and ice cubes in a cool contest. His throwback style has more soul than a shoe factory. Soda fountains think this guy has retro down pat. You get the point - the man is fly, and on "The Way I See It," he channels a radiant, doo-wop-era rhythm and blues that tips a suede top hat to Berry Gordy and Phil Spector. "Keep Marchin'" reconnects with the effortless groove of early Motown classics, exuding a lighthearted confidence laced in tambourine percussion and backing falsetto. "Just One Kiss" pops with orchestral flourishes and female harmonies, but neither element matches the zeal of the show-stopping lead vocal. How does one account for Saadiq's silky delivery? Like satin pajamas and other sides of pillows, some things are naturally smooth.

THE AVENUE | MUSIC

Album review: Ben Folds - "Way To Normal"

By ROBERT HILSON Avenue Writer | Oct. 8, 2008

"Oh, that stupid bitch is mine." Now before you make any snap judgments, know that this line comes from a song called "Errant Dog." Get it? It's funny - or at least Ben Folds thinks so. On "Way To Normal," Nashville's longest-running jokester walks the fine line between kitschy fun and tasteless humor with twelve politically incorrect songs designed to challenge the gag reflex. "The Frown Song" and "Dr. Yang" play like dumbed-down, cheesed-up New Pornographers outtakes - frenetic, hyper-pop of the most hummable order. "Bitch Went Nuts" uses the phrase in a more conventional sense and adds a shot of gratuitous profanity for good measure. Call it a guilty pleasure if you'd like - the track has more hooks than a fishing charter. Get it? Hooks? Fishing charter? Ben would think it's funny.

THE AVENUE | MUSIC

Album review: Jenny Lewis - "Acid Tongue"

By ROBERT HILSON Avenue Writer | Oct. 8, 2008

Innocence is like a dollar bill in a busted vending machine: Once it's gone, you aren't getting it back. So Jenny Lewis, whose up-until-now enduring image was that of a blue polka-dotted Southern belle, might as well kiss her Dorothy-esque appeal goodbye. "Acid Tongue" gets its title from the line, "I've been down to Dixie and dropped acid on my tongue." A thousand clean-cut boys in Middle America have just lost their princess. Freed from the burden of virtue, the prodigal daughter blossoms in this den of foot-tapping hell-fire. In "The Next Messiah," her sultry voice slithers atop bluesy guitars when a male voice chimes in: "I'm gonna give my love to you on a day you gotta bring it back." Our little girl is a full-grown tramp.

THE AVENUE | MUSIC

Album review: Pussycat Dolls - "Doll Domination"

By ROBERT HILSON Avenue Writer | Oct. 8, 2008

Catwoman, Hello Kitty, Yusuf Islam - whether through black spandex, lunch boxes or folk music, each of these feline enthusiasts have made meaningful contributions to the rich landscape of American pop culture. But not the Pussycat Dolls, who, with "Doll Domination," continue to claw their way through the ranks of tightly clothed MTV inventions with high-cut skirts and lowbrow R&B. "Bottle Pop" features some typically smooth lines from Snoop Dogg, and there's also a song called "I Hate This Part" - the girls showcase their command of irony. A little piece of my soul withered away when I heard this album. Still, this kind of music can't kill the Pussycats - they have nine lives.

THE AVENUE | MUSIC

Album review: Jack's Mannequin - "The Glass Passenger"

By ROBERT HILSON Avenue Writer | Oct. 8, 2008

There are a lot of ridiculous band names out there, but every once in a while, these guys will hit the nail right on the head. Jack's Mannequin: genius. It's got a ring that conveys all of this band's qualities - androgynously nice-looking, probably could be found in an Abercrombie & Fitch store, personality of a stiff piece of plastic. "The Glass Passenger" is the vehicle by which frontman Andrew McMahon pans off his stepford-wife rock 'n' roll on, well, whoever's into this kind of stuff. "The Resolution" and "American Love" will be hits on a spunk-rock station that plays your favorite mix of "80s, 90s and today!" But the kicker is a line from "Annie Use Your Telescope" that yearns, "Is there anybody out there?" It recalls the Pink Floyd song: "Comfortably Numb."

Album review: Raphael Saadiq – "The Way I See It"

Album review: Ben Folds - "Way To Normal"

Album review: Jenny Lewis - "Acid Tongue"

Album review: Pussycat Dolls - "Doll Domination"

Album review: Jack's Mannequin - "The Glass Passenger"

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