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Wednesday, March 04, 2026

El Caimán

Florida Alligator
OPINION  |  LETTERS TO THE EDITOR

Recycling more than a financial matter

In response to Tuesday’s column by Laura Ellermeyer, a student of finance, I think she missed the potential of a further means of reducing the cost of waste management. She — as  is appropriate for finance majors and the students of economics — is preoccupied with the ebb and flow of money, not with the conditions of the planet on which we live. She recommends not recycling because it will save money. Unfortunately, she did not go far enough. To further the reduction in cost, she should have advocated that we could save more money by just dumping our garbage into the streets, where the recycling will be done by dogs, raccoons, opossums and the poor. That way we could fire all of the people who cart away our garbage and sell the trucks that are used to other cities that are stupid enough to insist on recycling.


Florida Alligator
OPINION  |  LETTERS TO THE EDITOR

Racial profiling a necessary evil

In a letter to the editor published Thursday, the concept of racial profiling is mentioned in conjunction with the evilness of the Republican Party and its opposition to affirmative action. While I realize I won’t make many friends with this argument, I have no problem with racial profiling. Is it ideal? Absolutely not. In an ideal world, every single person would be treated the same in every situation. However, that is simply unrealistic; thus, I believe racial profiling to be a necessary evil.


Florida Alligator
OPINION  |  COLUMNS

Gov. Rick Scott cares only for himself

Last week, Gov. Rick Scott presented his budget for the 2012 fiscal year, proclaiming, “This was the budget you asked for.” The proposed budget is $5 billion leaner than budgets of years past, as Scott promised. However, the governor cut from areas most critical to the state’s well-being.


Florida Alligator
THE AVENUE  |  LIFESTYLE

“Guitar Hero” franchise takes its Last Waltz

My first experience with the “Guitar Hero” franchise was in summer 2007 in my neighbor’s garage. With a full drum kit in one corner and a Marshall stack beside it, there wasn’t a better atmosphere to begin my imaginary rock star life. On a small outdated television, I became entranced by the rainbow of notes speeding toward me, seemingly leaping off the onscreen fret board. The clicking of the strum bar was like a subtle bass groove to “Mother.” When I reached “Sweet Child O’ Mine,” I ignored my cramping left hand and played all through the night.



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